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Volume 12 Number 2, Spring/Summer 2002: Contents

From the Editors (pp. 106-108)

Interview

- A Creative Writer Teaches Writing: A Conversation with Larry Watson. [pp. 109-123]

Abstract: Larry Watson is Professor of English at the University of Wisconsin-Stevens Point, where he teaches writing. He is also an award-winning creative writer. His novels include Montana 1948 (1993), White Crosses (1997) and Laura (1999). He has also published numerous poems and a short story collection, Justice (1995). Random House will release his newest novel, Orchard, in August 2003, and two of his novels are being made into films. IW Editors Mark Balhorn, Dan Dieterich, Wade Mahon, and Rebecca Stephens of the University of Wisconsin-Stevens Point spoke with Watson on 17 May, 2002.�Eds.

Articles

- Whole-Class Workshops: The Transformation of Students Into Writers.  Ian Barnard [pp. 124-143]

Abstract: Whole-class workshops are under-theorized and under-utilized in the composition classroom, despite the many benefits they offer over more commonly used small peer workshop groups as a method of providing students with feedback on drafts of their writing. Whole-class workshops translate into practice the repeated insistence of much composition theory that students need to imagine themselves writing to an audience other than their teacher; they also show students the difficulties and rewards of negotiating responses to and assessments of someone else�s writing, and ultimately develop in them the skills and self-confidence necessary to evaluate their own writing. If students are adequately prepared for whole-class workshops and facilitate the workshops themselves, these workshops dramatically impact student writing, students� conceptions of themselves as writers, and instructors� understanding of their identifications as teachers of writing.

- An Informal Survey of College Writing Instruction in The Philippines.  James H. Wilson  [pp. 144-164]

Abstract: Primarily because of American occupation of the Philippines in the early twentieth century and its abundance of languages and dialects, the Philippine population has generally become proficient in speaking and writing English, the common language used for business, government, and education in their society. This brief survey of six colleges and universities in Cebu City, first in 1998 and then in 2002, takes a look at their English programs and finds a system in change as it responds to a Memorandum from the Republic of the Philippines Commission on Higher Education. Their success in learning and using English suggests we could benefit from comparative studies investigating their methods of teaching English and how they relate to our own.

Reviews

Writing Space: Computers, Hypertext, and the Remediation of Print 2nd ed., by Jay David Bolter

Reviewed by Muriel Zimmerman  (pp. 165-168)

Beyond Outcomes: Assessment and Instruction Within a University Writing Program, by Richard H. Haswell

Reviewed by Stephen A. Bernhardt  (pp. 168-172)

Coming of Age: The Advanced Writing Curriculum, edited by Linda K. Shamoon, Rebecca Moore Howard, Sandra Jamieson, and Robert A. Schwegler

Reviewed by Peter Vandenberg  (pp. 172-178)

Activist Rhetorics and American Higher Education: 1885:1937, by Susan Kates

Reviewed by Elizabethada A. Wright  (pp. 179-182)

Writing Workshop: The Essential Guide, by Ralph Fletcher and JoAnn Portalupi

Reviewed by Carmen Christopher  (pp. 182-186)

Genre in the Classroom: Multiple Perspectives, edited by Ann M. Johns

Reviewed by Cynthia R. Haller  (pp. 186-192)

Personal Effects: The Social Character of Scholarly Writing, by Deborah H. Holdstein and David Bleich

Reviewed by Robert Samuels  (pp. 192-196)

An African Athens: Rhetoric and the Shaping of Democracy in South Africa, by Philippe-Joseph Salazar

Reviewed by Ren� Agust�n (pp. 197-201)

 

Volume 12 Number 1, Fall/Winter 2001: Contents

From the Editors (pp. 1-3)

Interview

Beyond Bootstraps: A Conversation with Victor Villanueva (pp. 4-23)

Articles

Caught in the Grammar Cross Fire: One Student�s Plea and Plan for Peace.  Susan Marquardt Blystone  (pp. 24-43)

A Classical Framework for a New �Visual Renaissance�: Bridging the Divide between the Written and the Visual in Computer-Based Composition.  Andrea Deacon  (pp. 44-69)

Reviews

Understanding Writing Blocks, by Keith Hjortshoj

Reviewed by Deborah Anne Hooker (pp. 70-73)

I-Writing: The Politics and Practice of Teaching First-Person Writing, by Karen Surman Paley

Reviewed by Alvin H. F. Smith  (pp. 73-82)

Spreading the Word: Language and Dialect in America, by John McWhorter

Reviewed by Elaine E. Whitaker  (pp. 82-83)

Learning To Rival: A Literate Practice for Intercultural Inquiry, by Linda Flower, Elenore Long, and Lorraine Higgins

Reviewed by C. M. Tremonte (pp. 83-89) 

Writing Across Languages, edited by Gerd Br�uer

Reviewed by Susan H. McLeod (pp. 89-93) 

Under Construction: Working at the Intersections of Composition Theory, Research, and Practice, edited by Christine Farris and Chris M. Anson

Reviewed by Jennifer Mattix  (pp. 93-97) 

Writing Workplace Cultures: An Archaeology of Professional Writing, by Jim Henry

Reviewed by Cezar M. Ornatowski (pp. 97-102)

A Concise Guide to Technical Communication, by Laura J. Gurak and John M. Lannon

Reviewed by David Alan Sapp (pp. 102-07)

Electronic Writing Centers: Computing the Field of Composition, by David Coogan

Reviewed by James H. Wilson (pp. 107-09)