Some General Rules of Thumb
Literary analysis IS:
- always written in present tense (authors may be dead, but the continue to
"speak now")
- always written to demonstrate something about a text--it needs a clear,
specific thesis and intro--that intro needs a purpose
- interested in interpreting, analyzing, and synthesizing textual evidence
- chock full of quotation--this is your best evidence USE IT OFTEN (good
rule of thumb: AT LEAST one quote per paragraph--probably more)
- interested in acknowledging prior criticism on a similar topic and making
it clear how this discussion fits into the larger academic discussion about
this text
Literary analysis IS NOT:
- a summary of the work--explain plot points to give context for quotations
and to advance your claims--do no get bogged down re-telling the story--we
know what it's about--we want to know what it means, what it says about
culture, this author's body of work, how this work fits into a broader
genre, how it compares to other work
- interested necessarily in evaluation--this is not about whether the text
is good or bad, whether you personally loved or hated it--it is about
meaning--you can hate a work and still have interesting things to say about
it
- about politics, educational issues, religion, social issues, etc. IT
IS ABOUT THE TEXT--these issues may be raised by the text but your
discussion of them is filtered through the text, and the text is the vehicle
to discuss them through--prioritize the text--narrative and story carry
information (they are largely how we communicate) consider how story
discusses these things
- a review of other people's discussion of the text--it contains that only
in that that frames the conversation, however, YOUR ARGUMENT AND ANALYSIS IS
PARAMOUNT
Structure:
Introduction: introduces the thesis
Reviews criticism
Provides the topical context and focus
Contains a clear, SPECIFIC thesis (avoid "many different ways,"
"certain aspects," "various things," etc.--say what you
mean)
Ask yourself: could I argue against this? If so, you have a thesis and
an argumentative point. If not, time to rethink what you want to say.
Body: makes the case and provides evidence
introduce quote
quote
explain the quote (not summary)
introduce quote
quote
explain the quote (not summary)
introduce quote
quote
explain the quote (not summary)
introduce quote
quote
explain the quote (not summary)
etc.
general rule of thumb: AT LEAST one quote per paragraph--probably
more--quotes are always there to demonstrate something, don't move on until
you've explained them
quotes introduction always provides (or implies to the reader):
who is speaking (author/character)
from what (book/short story/essay)
about what (context)
Conclusion: draws a conclusion based on the evidence in the body (not
a summary of the body)
My Short hand
development--explaining/interpreting quotations and relating them to the
thesis
transitions--describe how two ideas are related to each other (both sentence and
paragraph level)
rephrase--fix the grammatical problem
thesis problems--lack of focus, lack of specicifity, lack of purpose
Citation questions/problems?
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Some samples:
Paper on The Passion
Paper on Robbe-Grillet's "The Secret Room"