CEP 957 Notes

Possible article title: Learning and Teaching in Complex Domains

! We want to give specific advice to teachers about low-threshold opportunities to deal with complexity in their teaching more appropriately/effectively

Boxes (examples of complexity? sample cases?)

Part of the paper structured like Wittgenstein's choose-your-own-adventure?

Irrationally held truths may be more harmful than reasoned errors. -Thomas H. Huxley

Goal of paper: an umbrella/synoptic view of learning and teaching in complex domains, from whence readers can depart to other texts, return to from other texts, and put other texts in context

20-30 page manuscript


Introduction: Maps and Labyrinths

Nature of Complex Domains

Strategies for Exploring Complex Domains

Teaching Complexity and Complex Things

Conclusion: Why Should We Care (Revisited)?


Nature of Complex Domains

What is complexity?

Why should we care?

Complex vs. ill-structured

Strategies for Exploring Complex Domains

Cognitive and affective disposition

Criss-crossing, revisiting, and iterative knowledge

Analogies, models, and the trap of tools

Teaching Complexity and Complex Things

A sample model/game: Complexity Bingo

Principles and cases

Abstractions and cases

Conclusion: Why Should We Care (Revisited)?


Unsorted

Themes

Polya, How to Solve It, problem-solving heuristics

Klein, Intuition at Work

Gladwell, Hunch

See Types of world's hypotheses handout

The true affordances and constraints

Visualizations of complexity: the Klein bottle (http://www.math.rochester.edu/misc/klein-bottle.html)

==

__ Are there other courses in learning and teaching complexity?

__ Table, with each group a header, look for overlap among columns

Rand is vexed by critical analysis of film, art, history, etc. when it offers "the" answer/theme

Rand says 4-7 core themes / representations tends to be optimal

Cooking French toast, scorch butter, smoky, fanning door, "ESP" (Klein), glasses

Triangle Poems

Schemas of the whole

Schemas vs. improvision in cooking

Practitioner knowledge vs. pedagogical content knowledge (PCK)

2-3 examples

Revisiting is not repeating

Picking cases

Studying complexity (e.g., the experience of taking Rand's course and juxtaposing it with individual background domains (e.g., teaching using games))

03/29

erleibness - lived experience

How much of your processing do you need to be aware of? (not ESP, the power of intuition, tacit knowledge, the firefighter example with the living room floor collapsing)

synecdoche

changing the underlying habit of mind; if each case is the best, can't fixate on a super-prototype

Rand showed Reciprocal Teaching / Questioning the Author CFT evironment

Rand says CFT is anti-exemplary, anti-best practices. It doesn't matter whether the cases are the best examples; what matters is whether the learner constructs functional, transferable understanding through interaction with the cases/mini-cases/environment

Kuleshov Effect, film context/montage effect: http://www.ambiguous.org/robin/word/kuleshov.html

2005/04/05

Meeting in groups to discuss individual papers

Aroutis: design (habits of mind): iteration, subjectivity/ambiguity, research, communication, context; fun vs. learning, process vs. simplicity

application of understanding complexity (e.g., design as finding knobs, Klein's leverage points, Spiro's multiple representations)

self-communication, self talk, learning the talk of experts, Vygotsky

Vanida: teaching medicine and nursing in higher ed: everything at the same time, can't artificially sequence, teaching using cases is good (esp. with discussion), technology/representation, compressing/accelerating experience, differentiated learning (not assuming everyone is coming from the same place) (especially in complex domains), autonomy, self-directed, technology allows for many layers

scaffolding of the moment?

Mike: forum theater as a form of teacher preparation: so how does this model support CFT recommendations for teacher preparation; take responsibility (personalized; connection to Vanida's differentiated learning, connection to Kym's risk-taking); communal; multiple possible perspectives; role-taking and role-playing (creates safe distance); unhiding assumptions

connecting to the forum piece, communal, co-construction of knowledge, co-construction of "the real," absolute vs. subjective truths in teaching; context dependency, schemas of the moment, not pre-packaged; responsibility and authority

Back together

much discussion

decision to blog: capturing dialog and disagreement, not losing good ideas, no categories so structure emerges organically, don't need to be in class, students traveling, collaborative tech, Wittgenstein cachet

2005/04/19

prefigurative schemas

Changing perception:

  1. Make people aware of the lenses they're using (habits of mind, epistemic beliefs) (cf. distinction between "knowing" and "knowing with," "thinking about" and "thinking in terms of," foreground and background, seeing as) (blind person probing with a pen)
  2. Show them the flaws of the lens affects
  3. Provide an alternative lens; show a plurality of "best" lenses
  4. Help them learn to use the lens

one important part of helping people learn complex things: help them practice knowledge assembly

new areas seem ill-structured to a learner; learner has an attitude choice about whether to believe that there is structure and/or strategies to be discovered (e.g., math, interpersonal intelligence)

2005/04/26

Normative / Evaluative

Inquiry strategies

Participants in the educational process

Theoretical perspectives

Core themes / lenses / schemas of the whole / owned perspectives / 9-word basic vocabulary for talking about L in CD (syntax from how they combine in actual cases)

  1. Habits of Mind / Epistemic Beliefs [Lana]
  2. Habits of Mind / Action [Nick] [Wei]
  3. Creativity (vs. Prescriptiveness) [Danah]
  4. Interconnected / Compartmentalized [Leigh]
  5. Immersion & Receptivity [Kym]
  6. Holistic learning environment (ecosystem) [Vanida]
  7. Discourse, dialog, & improvisation, & performance [Mike]
  8. Modes of presenting complexity, modes of representing complexity, visualization [Rand?]

2005/05/03

CFT: AKA for ISD (Advanced Knowledge Acquisition for Ill-Structured Domains)

Metacognition, John Flavel and Anne Brown

Rand emphasizes raising consciousness when teaching for schema-use, including schema accessbility, schema recombination (issues of metacognition, metaknowledge, prior cognition)

Broudy's distinction between knowing that and knowing with

Some ppl argue we always/only think about things in terms of something else

__ Consider how Ink is a tool for thinking about other things

Cognitive distinctions: intellect vs. intuition, convergent vs. divergent thinking, intellectual vs. sensuous, deductive vs. imaginative, rational vs. metaphoric, discrete vs. continuous, abstract vs. concrete, directed vs. free, propositional vs. imaginative, differential vs. existential, analytic vs. relantional, lineal vs. non-lineal, positive (via logical positivism) vs. mythic (Levi-Strauss), analytic vs. Gestalt, rational vs. intuitive, relations vs. correlates, sequential vs. multiple, analytic vs. holistic, explicit vs. implicit, reductionist vs. compositionist, rational vs. integral, objective vs. subjective, atomistic vs. gross, hierarchal vs. heteroarchal, sequential vs. simultaneous, light vs. dark, time vs. space, heaven vs. earth

Creativity

! Donald Campbell, evolutionary epistemology (in Philosophy of Karl Popper)

Note the incubation stage, which the Gestalt model of creativity also touts

Consider Punya's course, seeing the knobs

! Creativity sometimes depend on connecting distant or disparate fields/ideas/models/etc., so well-served by semi- or complete randomness. Need receptivity to observe those connections when they're possible, rather than only seeing what you're looking for

Two modes of creative exploration. Iteration, exploration, recombination are critical. The first mode is sensual: finding the right probability space, the possible criteria. The second mode/second stage, which is easier, is exploring that local space with those criteria in mind. Consider what a lateral move means: it's more first mode than second mode

2005/05/05

9 perspectives on 1 case

Back to creativity

An effect on emotional sensibility as an indicator in creative efforts

Rand considers CFT to a theory of everyday necessary creativity

Mixed bag

Order at the edge of chaos; complexity is not chaos

Possible starts in Phil. Investigations: 65 (games)

Intertextuality as an antidote to compartmentalization

 

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